Treatment Soundtrack Production
Name of
Production: Wall-E
What feel or mood
are you hoping to achieve with the sound for this clip (i.e. how do you want
the audience to feel and at which points in the scene? Does the sound have a narrative role?)
Describe the music
are you going to add to the clip (pace,
tone, style, pitch) and what response you hope to illicit in a listener. Where will you get your music from? (pre-recorded
music; public domain, licensed, own)
What foley sounds
are you going to record in the studio and add to this clip and what will they
add to the scene:
I will be recording the metal taps in the studio and the debris scraping; these sounds will make the scene seem like there is a lot going on in Wall-E's day; which I will be emphasizing by making my sounds exaggerating the volume of my noises.
Do you need to
record any sounds out on location, if so which?
Nope.
Who will be in your
recording crew to help you get your sounds and what are their individual roles
and responsibilities?
Daniel Harvey; I will be producing the Foley and the ADR, I will be responsible for making sure I perform each sound as safely as possible.
Aidan Magson; He will be helping me create the Foley and the ADR, he will also be responsible for setting up the sounds on the editing software to make sure they come out well.
Roger Xiberras; He will be setting up the microphone and making sure the levels are correct and that the sound will come out clearly, he will also be responsible for directing me and aidan to make sure out sounds come out to the best standard.
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