Friday, 4 July 2014

Treatment Wall-E

Treatment                                        Soundtrack Production

Name of Production: Wall-E

What feel or mood are you hoping to achieve with the sound for this clip (i.e. how do you want the audience to feel and at which points in the scene?  Does the sound have a narrative role?) 

In this clip I want the audience to feel sympathy for the main character and I want to use the sound to make the audience bond with the character and I want the sound to reflect the main characters cute personality, and I would like them to be able to laugh at him. The music should be able to reflect the comic side to the clip and overall I should have a happy vibe.

Describe the music are you going to add to the clip  (pace, tone, style, pitch) and what response you hope to illicit in a listener.  Where will you get your music from? (pre-recorded music; public domain, licensed, own)

I will be getting my music from royalty free stock, my music should be able to make the audience feel happy and the music should also reflect who the character is and what he is like. The music which I have chosen is quite upbeat but at the same time it is not fast-paced.

What foley sounds are you going to record in the studio and add to this clip and what will they add to the scene:

I will be recording the metal taps in the studio and the debris scraping; these sounds will make the scene seem like there is a lot going on in Wall-E's day; which I will be emphasizing by making my sounds exaggerating the volume of my noises.

Do you need to record any sounds out on location, if so which?

Nope.


Who will be in your recording crew to help you get your sounds and what are their individual roles and responsibilities?

Daniel Harvey; I will be producing the Foley and the ADR, I will be responsible for making sure I perform each sound as safely as possible.

Aidan Magson; He will be helping me create the Foley and the ADR, he will also be responsible for setting up the sounds on the editing software to make sure they come out well.


Roger Xiberras; He will be setting up the microphone and making sure the levels are correct and that the sound will come out clearly, he will also be responsible for directing me and aidan to make sure out sounds come out to the best standard.

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